Liz is a ceramic sculptor and visual arts teacher living in Alexandria, Virginia. She graduated from the New York State College of Ceramics at Alfred University with a BFA and a MFA degree. Liz has taught in the Arts Department at Episcopal High School in Virginia for the past seven years. She is also a curator and the Director of the Angie Newman Johnson Gallery. Liz joined Flux Studios in Mt. Rainier, Maryland as an Emerging Artist in the fall of 2012. She enjoys traveling, bird watching and baking in her spare time.
Dr. Margareth Troli
Born: Beiarn, Norway 1978
PhD University of Sunderland 2011
MA University of Sunderland 2007
BA(Hons) The Surrey Institute of Art and Design 2001
BA 1st Year University of Wolverhampton 1998
Margarethis based at the National Glass Centre (UK) in Sunderland where she explores the integration of digital technologies in her artwork. She completed a Phd in 2011 with the support from the Art and Humanities Research Council (AHRC). She developed technical approaches for the Studio Glass through the investigation of waterjet cutting. Troli’s research has also been presented at international conferences.
The integration of digital technologies has transformed her working methodology as well the visual language of the artworks by combining traditional glass making processes with new technologies. Her practice can be placed within the overlapping realms of applied art, design and craft.
Troli has received numerous prizes, awards and scholarships for her artwork. She has participated in several international exhibitions and design fairs such as the British Glass Biennale (UK,) 100% Design, (UK), SOFA New York, Designers Block, (UK), Coburger Glass Prize Exhibition, (DE), Design Mart (UK) and The British Parliament
Margareth’s artwork can be found in the collections of the Broadfield House Glass Museum (UK), which holds one of the largest collections of Glass Art in the UK, and the Ernsting Stiftung Glass Museum (DE).
Margareth has recently won a commission to create lighting sculptures for a cultural centre in Norway which is due to open in 2014.
By the Washington Glass School
As the arrangements for the UK artists are being finalized, we are taking a look back to the first two collaborative exhibitions and their outcome.
In 2008, Artomatic organized an exhibit that showcased glass art, focusing on how three “glass” cities approach the medium. The collaborative show was titled “Glass 3″ referencing the invited glass centers of Washington, DC, Toledo, Ohio and Sunderland, England.
- Sunderland is home to the UK’s National Glass Centre at the University of Sunderland. The North East of England has a long tradition of glassmaking – since the 7th century as glassmakers from France were brought in to make the stained glass windows. The numerous glass factories of the 17th and 18th century have now closed, and in its place a number of studio glass artists working in smaller studios.
- Toledo, Ohio is known as “Glass City” – where in 1962, Harvey Littleton and Dominick Labino presented the seminal glass workshop with the Toledo Museum of Art. This workshop profoundly influenced the American Studio Glass Movement.
- Washington, DC glass artists work at using glass as an expressive component in a larger whole, mastering technique in order to express content. The “post-craft” artists strive to make works that transcend words and discrete disciplines – therein lies their beauty.
Artomatic had secured an exhibition space in the Georgetown Mall, and in February, artwork and artists from the UK and Ohio came into DC setting up the multi-level space.
DCist city blog writer Heather Goss wrote of the 2008 collaborative show “Glass 3″:
“But does all of this lovey-dovey, hands-around-the-world stuff translate into a good art show? In this case, definitely. Glass work has always faced a tough challenge being accepted as “fine art” and not “a bunch of bowls and vases you find at the craft fair.” And if anyone can make you change your mind, its the artists from Sunderland. Some of the artists are actually experts in glass theory with Ph.Ds and have developed techniques that not only create beautiful art, but have revolutionized architecture and other uses for the medium.” Click HERE to jump to full DCist article.
Click HERE to jump to the Glass 3 catalog pdf.
The Brits returned charged up with the success of the interaction with the Americans, and based on the Washington Glass School model, created a not-for-profit artist run studio facility in Sunderland; Creative Cohesion. The new organization is home to professional artists working in glass, ceramics, fine art and mixed media, with a gallery, arts workshops and a glass hot-shop.
In 2009, Artomatic held the 10th anniversary of its unjuried art fair in DC’s Southeast, near the Navy Yard. 38 artists from the UK were able to participate in the event via Creative Cohesion joining with Artomatic in the planning of the exchange. A number of the visiting artists were part of the University of Sunderland and the UK’s National Glass Centre and held workshops where they demonstrated their techniques.
The Artomatic was a great success, and the visiting artists were able to connect to the US artscene. Glass artist Phil Vickery’s artwork was selected by the James Renwick Alliance to receive their Craft Award of Distinction.
The connection between the sister city artists had been strengthened, and Professor Peter Fidler, Vice Chancellor and Chief Executive of the University of Sunderland was impressed with the artists at Washington Glass School, and sought out ways to continue the interaction.
Later, after Tim Tate and Michael Janis were successful Fulbright Scholar candidates, the connection to the University of Sunderland continued; in 2012, they both were Fulbright Scholars at the University and held workshops at Creative Cohesion.
By Michael Janis, Washington Glass School
Sunderland, England has had a long association with Washington, DC. General George Washington became the first President of the United States in 1789 and the United States Capitol City named ‘Washington” in his honor. George Washington was a descendant of the Washington family, which took its name from Wessyngton (now Washington) and resided at Washington Old Hall in Washington Village.
Washington Old Hall incorporates parts of the original medieval home of George Washington’s direct ancestors. It was re-opened in 1955 by the US Ambassador, following restoration of the property which which was led by local schoolmaster and historian Frederick Hill. United States benefactors played a key role, donating funds and furniture to the project. Washington Old Hall is now managed by the National Trust with assistance from the Friends of Washington Old Hall.
Allegra Marquart came to Baltimore, Maryland, in 1976 to teach printmaking at the Maryland Institute College of Art (MICA). Gradually she became recognized for her narrative imagery that revolves around the joys, absurdities and surprises of human experience. Her prints are held in collections including the Zimmerli Art Museum, the Baltimore Museum of Art, the Philadelphia Museum of Art and the Huntsville Museum of Art. The DC Commission on the Arts selected two of her large scale works for their Art Bank collection. Artist residencies at MacDowell Colony, Virginia Center for the Creative Arts, the Hungarian Multicultural Center in Budapest and Rochefort-en-Terre provided time and inspiration. In 2001 she began to explore the possibilities of realizing her images in glass. Allegra began interpreting old stories and intricately rendering them on colorful glass panels. Her glass work was represented in a recent contemporary glass art exhibition at the Museum of American Glass at Wheaton Arts. One of her glass towers is also in the collection of the National Institute of Health in DC.
Self-taught as a glass carver, Syl Mathis has been an artist at the Washington Glass School from its first “glass and steel” workshop. Syl combines investment casting techniques, high pressure abrasive carving, and cold-working techniques to create sculptural pieces in glass that often reflect stylized natural artifacts.
His imaginative and skillful use of design–designs which are combinations of man-made and natural forces–not only reflects a love of Nature which invites meditation and thoughtfulness, but also, eloquently highlights the beauty of Nature’s own patterns with a precision that transcends the mere manipulation of tools or careful, mechanical dexterity.
As a professional educator, Syl Mathis is a firm believer in process, the process of creative expression and of learning; as such, each carving is both a piece of art and the first step in a journey that promises to deepen our perception of Nature.
“Artifact #12″; 21″w x 6″h x 3.5″d; cast and deep carved amber glass on copper, carved slate and wood base; 2013
Using an art exhibition as a bridge between two countries, the Sister City program will be bringing together Sunderland, England and Washington, DC in a show that celebrates the medias of glass and clay, as well as celebrating the relationships between the two cities.
Opening March 1, 2013, at Washington, DC’s Edison Place Gallery will be an exhibit of expressive glass and ceramic artwork, as well as narrative sculptures that blend craft materials with digital technologies and, in turn remove the boundaries between the traditional categories of craft, art, and design.
Artists and artwork will soon be arriving from the UK’s Creative Cohesion and University of Sunderland, and DC – based artists represented by the Washington Glass Schooland Flux Studios will be acting as “cultural ambassadors” facilitating the exchange of ideas and images.
In addition to a spectacular exhibit, a number of demos and workshops are planned during the month at the gallery and the DC area studios.
This will be the third collaboration with DC’s Sister City of Sunderland – in 2008 “Glass 3” was held in Georgetown; in 2009, 38 artists from Sunderland participated in the 10th Artomatic, held near the Navy Yard.
Washington Glass School’s Fulbright Scholars Michael Janis and Tim Tate taught at both the University of Sunderland and at Creative Cohesion studios during their Fulbright assignment in 2012, and look forward to renewing the close relationship created by these collaborations.
The International Glass + Clay show opens March 1st and will run through Friday, March 23, The exhibit is free and open to the public. Gallery hours are Saturday, Sunday and Tuesday, 12 p.m. to 4 p.m., and Wednesday, Thursday and Friday, 12 p.m. to 8 p.m. The Gallery Place Metro station is within walking distance of the Gallery.
Artomatic, Inc., the Office of the Secretary for the District of Columbia, and Sunderland City Council, have together organized the international exhibit, hosted at Pepco’s Edison Gallery.
International Glass and Clay 2013 Edison Place Gallery 702 Eight Street, NW, Washington, DC 20068 March 1 – 23, 2013