By the Washington Glass School
As the arrangements for the UK artists are being finalized, we are taking a look back to the first two collaborative exhibitions and their outcome.
In 2008, Artomatic organized an exhibit that showcased glass art, focusing on how three “glass” cities approach the medium. The collaborative show was titled “Glass 3″ referencing the invited glass centers of Washington, DC, Toledo, Ohio and Sunderland, England.
- Sunderland is home to the UK’s National Glass Centre at the University of Sunderland. The North East of England has a long tradition of glassmaking – since the 7th century as glassmakers from France were brought in to make the stained glass windows. The numerous glass factories of the 17th and 18th century have now closed, and in its place a number of studio glass artists working in smaller studios.
- Toledo, Ohio is known as “Glass City” – where in 1962, Harvey Littleton and Dominick Labino presented the seminal glass workshop with the Toledo Museum of Art. This workshop profoundly influenced the American Studio Glass Movement.
- Washington, DC glass artists work at using glass as an expressive component in a larger whole, mastering technique in order to express content. The “post-craft” artists strive to make works that transcend words and discrete disciplines – therein lies their beauty.
Artomatic had secured an exhibition space in the Georgetown Mall, and in February, artwork and artists from the UK and Ohio came into DC setting up the multi-level space.
DCist city blog writer Heather Goss wrote of the 2008 collaborative show “Glass 3″:
“But does all of this lovey-dovey, hands-around-the-world stuff translate into a good art show? In this case, definitely. Glass work has always faced a tough challenge being accepted as “fine art” and not “a bunch of bowls and vases you find at the craft fair.” And if anyone can make you change your mind, its the artists from Sunderland. Some of the artists are actually experts in glass theory with Ph.Ds and have developed techniques that not only create beautiful art, but have revolutionized architecture and other uses for the medium.” Click HERE to jump to full DCist article.
Click HERE to jump to the Glass 3 catalog pdf.
The Brits returned charged up with the success of the interaction with the Americans, and based on the Washington Glass School model, created a not-for-profit artist run studio facility in Sunderland; Creative Cohesion. The new organization is home to professional artists working in glass, ceramics, fine art and mixed media, with a gallery, arts workshops and a glass hot-shop.
In 2009, Artomatic held the 10th anniversary of its unjuried art fair in DC’s Southeast, near the Navy Yard. 38 artists from the UK were able to participate in the event via Creative Cohesion joining with Artomatic in the planning of the exchange. A number of the visiting artists were part of the University of Sunderland and the UK’s National Glass Centre and held workshops where they demonstrated their techniques.
The Artomatic was a great success, and the visiting artists were able to connect to the US artscene. Glass artist Phil Vickery’s artwork was selected by the James Renwick Alliance to receive their Craft Award of Distinction.
The connection between the sister city artists had been strengthened, and Professor Peter Fidler, Vice Chancellor and Chief Executive of the University of Sunderland was impressed with the artists at Washington Glass School, and sought out ways to continue the interaction.
Later, after Tim Tate and Michael Janis were successful Fulbright Scholar candidates, the connection to the University of Sunderland continued; in 2012, they both were Fulbright Scholars at the University and held workshops at Creative Cohesion.